Medium Format
Medium format refers to the size of your roll of film (or if you’re talking digital, it’s the size of the camera sensor). It really just means that you are shooting on a bigger piece of film than you do with a 35mm camera. The increased size of medium format film means a much larger negative. This will give you finer details and less grain.
Choosing your Right Medium Format Camera
Twin Lens Reflex (TLRS)
TLRs use two objective lens of the same focal length. The photographic objective lens is the one that is used to take the picture. The other lens, called the view lens, is connected to the viewfinder. Most TLRs are fixed focal length, and the more expensive models may incorporate a rudimentary room function. Most TLRs use a leaf shutter system, resulting in high speeds, quiet operation and low shutter vibration. There are also close-up, wide angle and telephoto adapters for TLRs.
Some popular TLRS cameras are: Yashica MAT-124G, Rolleiflex 2.8F, Minolta Autocord and Mamiya C330
Rangefinder
Rangefinder cameras are medium format cameras with a range finder. This negates the waistline, viewing that most TLRs carry. They are also much smaller than TLRs, and allow for easier point and shoot photographs. They tend to have limited focusing ranges, and do not have lenses larger than 180mm or 200mm. Rangefinders are quieter and easier to focus in dim light. They are mostly fixed lens models, but higher range models also provide for interchangeability.
Some popular rangefinder cameras are: Fujica G690, Mamiya 6/7, Bronica RF645, Norita 66 and Pentax 67
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Guide to
Lighting Equipment
Photography is a whole of a lighting game. Whether you are working with natural light or the creation of optimum studio lighting setup.
But as it is always noticed that adequate lighting is not always available, every photographer must have the right photography lighting equipment in hand to capture the perfect images.
Summary
LED Panel
(Diode/ Soft Film)
Pros:
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Low power consumption
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Low temperature
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Long life span (durable and shockproof unlike glass bulbs)
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Directional light
Cons:
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Soft light
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Made out of expensive materials
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Reduced lumen output over time
Portable LED
Diodes Panel
Pros:
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Low power consumption
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Low temperature
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Long life span (durable and shockproof unlike glass bulbs)
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Portable and easy to carry
Cons:
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Low power lighting
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Small area of light dispersion
Foldable Light Panels
Pros:
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Low power consumption
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Low temperature
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Long life span (durable and shockproof unlike glass bulbs)
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Portable and easy to carry
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Malleable to sui different usage
Cons:
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Reduced lumen output over time
Light Strobes
Pros:
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High power light output
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Daylight colour temperature
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Produce directional light
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Interchangeable accessories
Cons:
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Expensive
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Fragile bulbs
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Hard to plan the light composition
Light Wand
Pros:
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Low power consumption
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Low temperature
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Easy to Manipulate
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Portable and easy to carry
Cons:
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Low power lighting
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Restricted lighting angle and direction
Ring Lights
Pros:
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For portraits and close-up shots
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Eliminates harsh shadows
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Soft light quality
Cons:
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Limited to close ups and face shots.
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Catchlights take the form of rings in the eyes
Types of Lighting Equipment
Strobe Lights
Strobe Lights
Strobe Lights
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How To Sync Studio Strobe Lights With Your Camera | Strobe Lighting Part 2
A studio strobe is a dedicated flash unit. They can sometimes be referred to as a monobloc or monolight. Usually mains powered, more battery-powered offerings are being brought onto the market all the time. Power output between models can vary greatly, with cheaper strobes offering as much power as a cheap third-party flashgun.
The advantage that strobe lighting has over continuous lighting has is the light stays the same after every photograph. It can also give you an abundance of light, without the temperature rising, it can also be controlled. Also, you can purchase add ons like a soft box or umbrella reflector to enhance your shooting experience.