Satisfy your wide-angle fix on your full-frame E-mount camera with the fast and compact FE 28mm f/2 Lens from Sony. It boasts a fast maximum aperture of f/2 for selective focus effects and for working in low-light conditions. In order to ensure high-quality imaging in a range of conditions, the lens incorporates three aspherical elements, including one Advanced Aspherical, and two extra-low dispersion elements, all of which help minimize aberrations. For fast, responsive focusing the 28mm uses a linear motor and internal focus design. Also, it has a dust- and moisture-resistant construction that will permit operation in less-than-ideal weather conditions. Additionally, it has a nine-blade circular diaphragm for smooth bokeh. If you are looking for a wider perspective, the 28mm can accept optional ultra-wide and fisheye converters than will transform the lens into a 21mm or 16mm lens, respectively.
Covering a wide-angle perspective, this compact 28mm will pair nicely with Sony's full-frame E-mount cameras. It can also be used on APS-C format cameras where it will provide a 42mm equivalent focal length.
- A fast f/2 maximum aperture provides the ability to create images with a shallow depth of field as well as work in low-light conditions.
- Two extra-low dispersion glass elements are featured in the lens design to help reduce chromatic aberrations and color fringing for improved clarity and color neutrality.
- Three aspherical elements, including one Advanced Aspherical (AA) element, are incorporated in the lens design to reduce astigmatism, field curvature, coma, and other monochromatic aberrations.
- A linear autofocus motor and internal focus design provide quick and precise autofocus performance and enables accurate and silent focusing while recording videos.
- Dust- and moisture-sealed design better permits working in inclement conditions and rubberized control rings benefit handling in colder temperatures.
- Rounded nine-blade diaphragm contributes to a pleasing bokeh quality when employing selective focus techniques.
Medium Format
Medium format refers to the size of your roll of film (or if you’re talking digital, it’s the size of the camera sensor). It really just means that you are shooting on a bigger piece of film than you do with a 35mm camera. The increased size of medium format film means a much larger negative. This will give you finer details and less grain.
Choosing your Right Medium Format Camera
Twin Lens Reflex (TLRS)
TLRs use two objective lens of the same focal length. The photographic objective lens is the one that is used to take the picture. The other lens, called the view lens, is connected to the viewfinder. Most TLRs are fixed focal length, and the more expensive models may incorporate a rudimentary room function. Most TLRs use a leaf shutter system, resulting in high speeds, quiet operation and low shutter vibration. There are also close-up, wide angle and telephoto adapters for TLRs.
Some popular TLRS cameras are: Yashica MAT-124G, Rolleiflex 2.8F, Minolta Autocord and Mamiya C330
Rangefinder
Rangefinder cameras are medium format cameras with a range finder. This negates the waistline, viewing that most TLRs carry. They are also much smaller than TLRs, and allow for easier point and shoot photographs. They tend to have limited focusing ranges, and do not have lenses larger than 180mm or 200mm. Rangefinders are quieter and easier to focus in dim light. They are mostly fixed lens models, but higher range models also provide for interchangeability.
Some popular rangefinder cameras are: Fujica G690, Mamiya 6/7, Bronica RF645, Norita 66 and Pentax 67
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