PRODUCT DESCRIPTION
- This lens is comprised of 5 elements, 3 groups lens construction which also facilitates optimum correction of astigmatism distortions, an all important factor in close-up photography. It also suppresses aberration fluctuations caused by varied shooting distances ranging from infinity to a magnification ratio of 1. A friction mechanism is provided on the focusing ring to prevent the lens barrel from accidentally extending when shooting with the lens pointing down. This is an all-purpose lens which also features general photography capabilities. Its biggest advantage over the longer but even more flexible 200mm macro is its price ( but consider without the need to attach an addtional extension ring, but also at the compromise point of addtional size and weight that adds onto the 200mm lens). The 200mm macro lens dimension is around 182.4mm x 68.8mm and it weighs 880g, while the 100mm featured here is almost half the size, weight and may be halved in its price compared (95mm x 70.3mm and weighing 455g).
- Specifications:
Focal length:100mm
Aperture ratio: 1:4
Construction: 3 groups 5elements
Coating: S.S.C. (super spectra coating)
Angle of view: Diagonal: 24° Vertical: 14° Horizontal: 20°
Distance scale: (m) 0.45 (magnification 0.5X) to7.oo (ft) 1.48 to 15.oo Focusing mechanism: Helicoid
Magnification: 0.5X for lens used alone, 0.5Xó1.0X with Extension Tube FD 50-U (0.4m)
Minimum aperture: f/32
Diaphragm: Automatic
Filter size: 52mm
Product ($199)
SN: **231/ **517
Condition: Excellent
Warranty: 2 weeks shop warranty, covering manufactural defects
What You Will Get
- Front Cap
- Rear Cap
Product ($199)
SN: **231
Condition: Like New (LN)
Warranty: 2 weeks shop warranty, covering manufactural defects
What You Will Get
- Front Cap
- Rear Cap
Product ($249)
SN: **468/ **194
Condition: Like New (LN)
Warranty: 2 weeks shop warranty, covering manufactural defects
What You Will Get
- Front Cap
- Rear Cap
Medium Format
Medium format refers to the size of your roll of film (or if you’re talking digital, it’s the size of the camera sensor). It really just means that you are shooting on a bigger piece of film than you do with a 35mm camera. The increased size of medium format film means a much larger negative. This will give you finer details and less grain.
Choosing your Right Medium Format Camera
Twin Lens Reflex (TLRS)
TLRs use two objective lens of the same focal length. The photographic objective lens is the one that is used to take the picture. The other lens, called the view lens, is connected to the viewfinder. Most TLRs are fixed focal length, and the more expensive models may incorporate a rudimentary room function. Most TLRs use a leaf shutter system, resulting in high speeds, quiet operation and low shutter vibration. There are also close-up, wide angle and telephoto adapters for TLRs.
Some popular TLRS cameras are: Yashica MAT-124G, Rolleiflex 2.8F, Minolta Autocord and Mamiya C330
Rangefinder
Rangefinder cameras are medium format cameras with a range finder. This negates the waistline, viewing that most TLRs carry. They are also much smaller than TLRs, and allow for easier point and shoot photographs. They tend to have limited focusing ranges, and do not have lenses larger than 180mm or 200mm. Rangefinders are quieter and easier to focus in dim light. They are mostly fixed lens models, but higher range models also provide for interchangeability.
Some popular rangefinder cameras are: Fujica G690, Mamiya 6/7, Bronica RF645, Norita 66 and Pentax 67
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