Deity Microphones V-MIC D4 DUO Overview
Designed for fast-moving, run-and-gun DSLR/mirrorless videographers, the Deity Microphones V-Mic D4 DUO is a compact and lightweight on-camera microphone that offers a smart feature set aimed at capturing better-sounding interviews from the field.
The V-Mic D4 DUO offers a dual-capsule design, with one cardioid capsule focused on the subject in front of the mic and a second aimed at the rear, allowing it to pick up audio from the camera operator/interviewer/journalist filming the scene. Instead of being forced to shout for the benefit of a microphone, it lets the interviewer speak in a normal tone of voice without sounding muffled and distant, providing improved sound for interviews and voice-overs.
The versatile V-Mic D4 DUO also features a 3.5mm Aux input designed to accommodate a lavalier mic or wireless transmitter (both available separately). If you have time to mic up your subject with a lav, simply plug it into the jack and flip the stereo switch that bypasses the rear mic on the D4. The lav is recorded on the camera's right channel, while the front capsule of the D4 DUO is routed to the left. With the audio from each mic on separate tracks, you can dial in the exact blend you want of the close-miked sound from the lav and the ambience of the on-camera mic in post-production. No longer do you need to carry around bulky camera mixers or hard-to-find stereo splitter cables to achieve similar results.
Weighing only 1.4 oz, the V-Mic D4 DUO adds quality audio to your camera rig without weighing it down. Included are two faux-fur windscreens to reduce wind noise when shooting outdoor, a Rycote Lyre shockmount to reduce vibrations and handling noise, and a coiled 3.5mm output cable.
Do More, Carry Less
- Dual cardioid pickup patterns for directional sound capture in front and behind the camera
- Low-noise circuitry for high-quality speech and dialogs
- Aux input for lavaliers microphones or wireless receivers
- Powered via plug-in power from the camera
- Compact and lightweight at 1.4 oz
- 3.5mm TRS coiled output cable for DSLR/mirrorless camera or portable recorder
- Rycote Lyre shockmount with camera shoemount
- 1/4"-20 and 3/8"-16 threaded mounting options
- 2 x faux-fur windscreens
Medium Format
Medium format refers to the size of your roll of film (or if you’re talking digital, it’s the size of the camera sensor). It really just means that you are shooting on a bigger piece of film than you do with a 35mm camera. The increased size of medium format film means a much larger negative. This will give you finer details and less grain.
Choosing your Right Medium Format Camera
Twin Lens Reflex (TLRS)
TLRs use two objective lens of the same focal length. The photographic objective lens is the one that is used to take the picture. The other lens, called the view lens, is connected to the viewfinder. Most TLRs are fixed focal length, and the more expensive models may incorporate a rudimentary room function. Most TLRs use a leaf shutter system, resulting in high speeds, quiet operation and low shutter vibration. There are also close-up, wide angle and telephoto adapters for TLRs.
Some popular TLRS cameras are: Yashica MAT-124G, Rolleiflex 2.8F, Minolta Autocord and Mamiya C330
Rangefinder
Rangefinder cameras are medium format cameras with a range finder. This negates the waistline, viewing that most TLRs carry. They are also much smaller than TLRs, and allow for easier point and shoot photographs. They tend to have limited focusing ranges, and do not have lenses larger than 180mm or 200mm. Rangefinders are quieter and easier to focus in dim light. They are mostly fixed lens models, but higher range models also provide for interchangeability.
Some popular rangefinder cameras are: Fujica G690, Mamiya 6/7, Bronica RF645, Norita 66 and Pentax 67
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