PRODUCT DESCRIPTION
The ILFORD MULTIGRADE FILTER SET comprises of 12 mounted contrast filters. It is a fantastic addition to any darkroom. With 12 evenly spaced, speed matched grades, these filters enable simple contrast control for all variable contrast papers and allow a wide range of negative types to be printed.
MULTIGRADE FILTERS are numbered 00–5 in ½ step increments with the lowest filter number corresponding to the softest contrast. They are easy to use with no complicated calculations required when changing from one filter to another - the exposure time for filters 00–3½ is the same which then simply doubles for filters 4–5.
MULTIGRADE FILTERS are also available in sets, 8.9 x 8.9cm (3½x3½”) and 15.2 x 15.2cm (6x6”), and can be used above or below the lens as well as cut to fit enlarger filter drawers as necessary. For further information on Multigrade filters, please refer to the contrast control data sheet
Ilford Multigrade Gelatin Filter Set 6 x 6" (12 Filters)
Contrast control with multigrade and variable contrast black & white photographic papers can be achieved in several ways. One of the most widely used ways is through the use multigrade or variable contrast hand filters.
A magenta filter absorbs green light and transmits blue;
A yellow filter absorbs blue light and transmits green.
In this way, high and low contrast images can be made.
Ilford produces twelve multigrade filters that are numbered 00 - 5 in 1/2 steps, with the lowest filter number corresponding to the softest contrast.
Filters are available in sets of filters 3-1/2 x 3-1/2" (8.9 x 8.9cm) and 6 x 6" (15.2 x 15.2cm ). They can be used above or below the lens and can be cut to fit the enlarger filter drawer.
Multigrade filters are very easy to use: no complicated calculations are needed when changing from one filter to another. The exposure time for filters 00 - 31/2 is the same; that for filters 4 - 5 is double.
Medium Format
Medium format refers to the size of your roll of film (or if you’re talking digital, it’s the size of the camera sensor). It really just means that you are shooting on a bigger piece of film than you do with a 35mm camera. The increased size of medium format film means a much larger negative. This will give you finer details and less grain.
Choosing your Right Medium Format Camera
Twin Lens Reflex (TLRS)
TLRs use two objective lens of the same focal length. The photographic objective lens is the one that is used to take the picture. The other lens, called the view lens, is connected to the viewfinder. Most TLRs are fixed focal length, and the more expensive models may incorporate a rudimentary room function. Most TLRs use a leaf shutter system, resulting in high speeds, quiet operation and low shutter vibration. There are also close-up, wide angle and telephoto adapters for TLRs.
Some popular TLRS cameras are: Yashica MAT-124G, Rolleiflex 2.8F, Minolta Autocord and Mamiya C330
Rangefinder
Rangefinder cameras are medium format cameras with a range finder. This negates the waistline, viewing that most TLRs carry. They are also much smaller than TLRs, and allow for easier point and shoot photographs. They tend to have limited focusing ranges, and do not have lenses larger than 180mm or 200mm. Rangefinders are quieter and easier to focus in dim light. They are mostly fixed lens models, but higher range models also provide for interchangeability.
Some popular rangefinder cameras are: Fujica G690, Mamiya 6/7, Bronica RF645, Norita 66 and Pentax 67
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