PRODUCT DESCRIPTION
When boils down to real life practicality, the slower lens speed 24mm f/2.8 lense is even more appealing to a larger group pf users because most often, affordability does influenced an investment decision. With the ever improving quality and film speed of modern film types, I think most people can live without an extra f-stop gain in maximum aperture as long an equivalent high performing optic is there to make a comparison in cost. In such case, Zuiko 24mm f/2.8 fits such a demanding requirement and expectation from users and it is a Zuiko best seller at 24mm focal length.
The lense is a cheaper and lighter alternative to the Zuiko f/2.0 counterpart. It offers similar super wide-angle characteristic. It produces sharp, high contrast images with minimal flare even shooting in unfavourable lighting (such as backlit scenes) which makes this extremely compact Zuiko optical gem a favorite lense for ultra-wideangle photography. It terms of size and weight - this Zuiko wideangle is one of the lightest and most compact in its class.
Other than its underlying strength in size, weight and be able to deliver top class image quality, perhaps price plays the most important element which contributes to its wide spread popularity than other Zuiko 24mm lenses. This highly portable Zuiko ultra-wide is almost halved in price over the comparing 24mm f/2.0 equivalent (retailed new at a list price between USD290.00-320.00 (Used/mint: USD220.00-250.00) while the 24mm f/2.0 has a list price (new) between the range of USD680.00 -755.00)* which makes it an even more logical alternative 24mm ultrawide in particular to most leisure photographers. Optically, this retrofocus Zuiko 24mm f/2.8 wideangle lense consists of 8 elements in 7 groups design and matches in its close focusing ability as the f/2.0 counterpart down to 0.25m (0.8 ft) and it merely weighs 180g as compared to 275g of the f/2.0 ! Well, generally, as OM 35mm system components as a whole is a very compact photographic system and it makes little sense to complaint anything about in relation to the portability factor this lense provides.
The overall compactness contributes the use of standard OM 49mm filters and enables a wider compatibility with other filter-attached OM system accessories. Combining its moderately fast maximum lens speed and 84° wide picture angle, making it a good lense for handling interiors, location and scenery shooting. It is a good all round and multi-purpose Zuiko wideangle lense.
In terms of lense handling, as most of the key elements adopting a standard OM lense configuration, most OM users should be feel at home in easily picking up all its control/features and applying to their photography. Despite the wide filed of view the lense generates, the strong rendition of perspective can be controlled quite easily. But more importantly, other than including a wider scope of background information with its wide angle of view, photographically, this lense will still permit the photographer to maintain a close visual relationship with the subject he intends to shoot - an element useful for photojournalism, reportage or news photography. Although it may not be a perfect lense as with other moderate wideangle falls on 28mm or 35mm for shooting PR photography as edges of the frame may projects some form of streching distortion to human figures. Generally, among the many possible complementary elements in a typical good picture, for an example people, surrounding and the environment can be easily established in a photograph with a lense type such as the 24mm Nikkor. Here, depth of field again becomes an important element in bringing together the components within an image. As all MF Zuiko lenses have great physical design in their handling and equally excellent illustrations of secondary visual aid for photographer such as DOF scales, making lenses at 24mm focal length an even more practical wideangle in their assignments. The depth of field scales are in particular useful for quick visual reference to determine selection of aperture values to suit individual needs.
Focal length: 24mm
Lens construction: 7 groups, 8 elements
Angles of view: Diagonal: 84°
Distance scale: (m) 0.25m to infinity (OO)
Focusing: Helicoid
Apertures & Minimum photographic range: f/16 - f/2.8; 24cm x 16cm
Diaphragm: Automatic
Filter size: 49mm
Length: 31mm
Weight: 185g (6.5 oz) (Older version weighs at 180g (6.3oz)
Product ($249) SN: **6599
Condition: Good (GD)Warranty: 2 weeks shop warranty, covering manufactural defects
Product ($349) SN: **3575/ **7749
Condition: Excellent (EX)Warranty: 2 weeks shop warranty, covering manufactural defects
Product ($399) SN: **0075/ **2598/ **1947
Condition: Like New (LN)Warranty: 2 weeks shop warranty, covering manufactural defects
What You Will Get
- Front/Rear Cap
Disclaimer
Customers are solely responsible for confirming with us about the availability of the items before coming down to our store to make a purchase. By making an enquiry, it would thus signify that you have understood the terms.
Our Policy
All products sold are NON-REFUNDABLE and NON-EXCHANGEABLE unless otherwise stated. All prices are also FIXED and we do not entertain any attempts to negotiate. PM to check stock before coming down!
Return and Refund Policy
Strictly Non-Refundable nor Exchangeable.
Proceed to the store during opening hours for purchase.
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Peninsula Shopping Centre #03-30/31/32
(NOT Peninsula Plaza/Next to Excelsior Hotel)
Opening hours: 12.30pm-7.45pm (Mon-Sat) 2pm-6pm (Sun)
Mobile: +65 82237153 (Whatsapp ONLY)
Next to Funan Mall / Nearest MRT: City Hall MRT
Medium Format
Medium format refers to the size of your roll of film (or if you’re talking digital, it’s the size of the camera sensor). It really just means that you are shooting on a bigger piece of film than you do with a 35mm camera. The increased size of medium format film means a much larger negative. This will give you finer details and less grain.
Choosing your Right Medium Format Camera
Twin Lens Reflex (TLRS)
TLRs use two objective lens of the same focal length. The photographic objective lens is the one that is used to take the picture. The other lens, called the view lens, is connected to the viewfinder. Most TLRs are fixed focal length, and the more expensive models may incorporate a rudimentary room function. Most TLRs use a leaf shutter system, resulting in high speeds, quiet operation and low shutter vibration. There are also close-up, wide angle and telephoto adapters for TLRs.
Some popular TLRS cameras are: Yashica MAT-124G, Rolleiflex 2.8F, Minolta Autocord and Mamiya C330
Rangefinder
Rangefinder cameras are medium format cameras with a range finder. This negates the waistline, viewing that most TLRs carry. They are also much smaller than TLRs, and allow for easier point and shoot photographs. They tend to have limited focusing ranges, and do not have lenses larger than 180mm or 200mm. Rangefinders are quieter and easier to focus in dim light. They are mostly fixed lens models, but higher range models also provide for interchangeability.
Some popular rangefinder cameras are: Fujica G690, Mamiya 6/7, Bronica RF645, Norita 66 and Pentax 67
WhatsApp Only: +65-8223-7153