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Medium Format

Medium format refers to the size of your roll of film (or if you’re talking digital, it’s the size of the camera sensor). It really just means that you are shooting on a bigger piece of film than you do with a 35mm camera. The increased size of medium format film means a much larger negative. This will give you finer details and less grain.

Choosing your Right Medium Format Camera

Twin Lens Reflex (TLRS)

TLRs use two objective lens of the same focal length. The photographic objective lens is the one that is used to take the picture. The other lens, called the view lens, is connected to the viewfinder. Most TLRs are fixed focal length, and the more expensive models may incorporate a rudimentary room function. Most TLRs use a leaf shutter system, resulting in high speeds, quiet operation and low shutter vibration. There are also close-up, wide angle and telephoto adapters for TLRs.

Some popular TLRS cameras are: Yashica MAT-124G, Rolleiflex 2.8F, Minolta Autocord and Mamiya C330

Rangefinder

Rangefinder cameras are medium format cameras with a range finder. This negates the waistline, viewing that most TLRs carry. They are also much smaller than TLRs, and allow for easier point and shoot photographs. They tend to have limited focusing ranges, and do not have lenses larger than 180mm or 200mm. Rangefinders are quieter and easier to focus in dim light. They are mostly fixed lens models, but higher range models also provide for interchangeability.

Some popular rangefinder cameras are: Fujica G690, Mamiya 6/7, Bronica RF645, Norita 66 and Pentax 67

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Zoom EXH-6 Overview

Key Features

Use with H5, H6, and F4 Recorders
Adds 2 XLR/TRS Combo Inputs
Adds 2 Preamps
-20 dB Pad on Each Channel
Record up to 4 Mic/Line Signals with H5
Record up to 6 Mic/Line Signals with H6
Record up to 6 Mic/Line Signals with F4

The EXH-6 from Zoom adds two additional XLR/TRS combo inputs to the Zoom H5 and H6 handheld recorders, or to the F4 field recorder. This makes the H5 capable of recording up to four external mic/line signals simultaneously, and the H6 or F4 up to six. Capable of handling either mic- or line-level signals, each input is equipped with its own preamp and -20 dB pad. Please note, this module does not provide phantom power.

Zoom EXH-6 Dual XLR/TRS Combo Input Capsule for H5, H6, and F4 Recorders

S$105.00

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